Lari Pittman, Reverential and Needy, 1991. Collection of the Corcoran Gallery of Art, Washington.
This week’s Modern Art Notes Podcast features artist Lari Pittman.One of Pittman’s most important paintings, The Veneer of Order (1985) is featured in the Museum of Contemporary Art Chicago exhibition “This Will Have Been: Art, Love & Politics in the 1980s.” The thesis of the exhibition, which was curated by Helen Molesworth, is that the political, often confrontational art of the 1980s had its roots in feminist art of the preceding decade. Pittman’s painting, and indeed his oeuvre, is a clear example of how feminist discourse and art motivated art in and after the ’80s. [Aside: The Yale University Press-published catalogue for the show is fantastic — and it’s 40% off here.]
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