Gerhard Richter, 48 Portraits (1998)From SFMOMA’s website: Be it a rural landscape, a colorful gestural abstraction, or a black-and-white painting based on a family snapshot or image from the newspaper, a certain set of tensions consistently drives Richter’s work: belief versus skepticism, gesture versus erasure, planning versus chance, personal engagement versus objective neutrality.
Reblogged from PYRAMIDROME

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