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This is the official Tumblr of The San Francisco Museum of Modern Art. We post all sorts of museum-related goodness, plus submissions of artwork from you, our talented and magnificent followers, on Fridays.

In the mood for a meatier read? Check out Open Space, SFMOMA's official blog.

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    What do places that aren’t supposed to exist look like?

    In this video, photographer Trevor Paglen talks about capturing “black sites” — places that intelligence agencies and the military claim do not exist.

    Posted on Tuesday, July 24th 2012

    Opening this Saturday! Naoya Hatakeyama: Natural Stories will be the Japanese photographer’s first solo exhibition in the United States. Bringing together more than 100 photographs and two video installations spanning the artist’s entire career, the exhibition will offer insights into the rich history of Japanese photography, and into the ways in which humanity and nature both clash and coexist.
Pictured: Naoya Hatakeyama, Takata-cho 2011.5.2, from the series Rikuzentakata, 2011 via American Photo Magazine

    Opening this Saturday! Naoya Hatakeyama: Natural Stories will be the Japanese photographer’s first solo exhibition in the United States. Bringing together more than 100 photographs and two video installations spanning the artist’s entire career, the exhibition will offer insights into the rich history of Japanese photography, and into the ways in which humanity and nature both clash and coexist.

    Pictured: Naoya Hatakeyama, Takata-cho 2011.5.2, from the series Rikuzentakata, 2011 via American Photo Magazine

    Posted on Monday, July 23rd 2012

    Happy Birthday Alexander Calder!
From our website:

Calder’s interest in movement appeared early in his figurative wire sculptures, which have a playful, mechanical sensibility akin to wind-up toys. Some of his subsequent abstract sculptures are operated with cranks and pulleys, but his real breakthrough came with his invention of hanging sculpture. Calder’s mobiles consist of abstract shapes connected by wires and move freely with the air currents in a room.

Pictured: Calder’s Four Big Dots (1963)

    Happy Birthday Alexander Calder!

    From our website:

    Calder’s interest in movement appeared early in his figurative wire sculptures, which have a playful, mechanical sensibility akin to wind-up toys. Some of his subsequent abstract sculptures are operated with cranks and pulleys, but his real breakthrough came with his invention of hanging sculpture. Calder’s mobiles consist of abstract shapes connected by wires and move freely with the air currents in a room.

    Pictured: Calder’s Four Big Dots (1963)

    Posted on Sunday, July 22nd 2012

    Artlog covers Stage Presence: Theatricality in Art and Media, a stellar exhibition (that is perhaps in the limelight of Cindy Sherman) now on view at SFMOMA. 

Excerpt: Our society wants to be entertained. We worship at the shrines of the stage and the screen, offering them our attention and our lives. 

Read the article here.
Photo: Janet Cardiff, The Telephone Call, 2001; Audio and video walk through the San Francisco Museum of Modern Art: digital video, mini DV camera, and headphones; Collection SFMOMA; © Janet Cardiff

    Artlog covers Stage Presence: Theatricality in Art and Media, a stellar exhibition (that is perhaps in the limelight of Cindy Sherman) now on view at SFMOMA. 

    Excerpt: Our society wants to be entertained. We worship at the shrines of the stage and the screen, offering them our attention and our lives. 

    Read the article here.

    Photo: Janet Cardiff, The Telephone Call, 2001; Audio and video walk through the San Francisco Museum of Modern Art: digital video, mini DV camera, and headphones; Collection SFMOMA; © Janet Cardiff

    Posted on Friday, July 20th 2012

    LIVE TONIGHT FOR STAGE PRESENCE! An electronic opera score meets artist Shana Moulton’s alternate persona, Cynthia. All the pertinent details (+ tix!) can be found here. Show starts at 7:30pm.
Pictured: Tucker Nichols, 2012. Commissioned by the San Francisco Museum of Modern Art. Courtesy the artist.

    LIVE TONIGHT FOR STAGE PRESENCE! An electronic opera score meets artist Shana Moulton’s alternate persona, Cynthia. All the pertinent details (+ tix!) can be found here. Show starts at 7:30pm.

    Pictured: Tucker Nichols, 2012. Commissioned by the San Francisco Museum of Modern Art. Courtesy the artist.

    Posted on Thursday, July 19th 2012

    From Complex Magazine’s article, How To Make It: 15 Rules For Success From Creative Industry Insiders, a tip from SFMOMA’s Willa Koerner:

“Have a sense of humor. Don’t feel entitled to a certain type of relationship with your colleagues — rather, work at making friends and gaining the trust and respect of those you work with. In the long run, the relationships you build will be the cornerstone of your success!”

So, we’re curious: what’s your rule for success?

    From Complex Magazine’s article, How To Make It: 15 Rules For Success From Creative Industry Insiders, a tip from SFMOMA’s Willa Koerner:

    “Have a sense of humor. Don’t feel entitled to a certain type of relationship with your colleagues — rather, work at making friends and gaining the trust and respect of those you work with. In the long run, the relationships you build will be the cornerstone of your success!”

    So, we’re curious: what’s your rule for success?

    Posted on Wednesday, July 18th 2012

    7x7 on Cindy Sherman at SFMOMA:

The opportunity to take in all of [Sherman’s Untitled Film Stills] at once is not to be passed up. Splayed across 3 walls, in total they reveal Sherman’s one-in-a-million talent for image construction. She knows how much meaning, albeit formulaic, can be transmitted by a particular expression, manner of dress, the way one clutches a carton of eggs. With Film Stills, Sherman lifted the veil from the modern machinery of identity construction, or at least ruffled it, and all with a sense of playful fun.

Read the whole article here.

    7x7 on Cindy Sherman at SFMOMA:

    The opportunity to take in all of [Sherman’s Untitled Film Stills] at once is not to be passed up. Splayed across 3 walls, in total they reveal Sherman’s one-in-a-million talent for image construction. She knows how much meaning, albeit formulaic, can be transmitted by a particular expression, manner of dress, the way one clutches a carton of eggs. With Film Stills, Sherman lifted the veil from the modern machinery of identity construction, or at least ruffled it, and all with a sense of playful fun.

    Read the whole article here.

    Posted on Wednesday, July 18th 2012