Ever wonder how museums take care of their masterpieces? Check out our behind-the-scenes gallery, Conserving Matisse at SFMOMA→
Posted on Monday, November 25th 2013
FROM THE SFMOMA PRESS ROOM:
We are thrilled to announce Matisse from SFMOMA, a jointly organized exhibition by SFMOMA and the Fine Arts Museums of San Francisco which will bring together the work of Henri Matisse from both institutions’ collections. Opening on November 9 at the Legion of Honor, the exhibition will run for nearly a year.
In addition, Alexander Calder’s Big Crinkly, a lively kinetic sculpture from SFMOMA’s collection, is also on view at the de Young!
For more information, read the full press release.
Photo: Winni Wintermeyer
Posted on Thursday, October 10th 2013
“As a co-curator of Beyond Belief, visitors often ask me if there is an overarching idea. My answer? Presence.” Read more from Beyond Belief co-curator Daniel Schifrin on the Contemporary Jewish Museum’s blog→
Posted on Friday, August 9th 2013
Did you know that Robert Rauschenberg and Cy Twombly traveled through Italy, Morocco, and Spain together? They studied ancient architecture, visited ethnographic museums, and frequented flea markets, accumulating experiences and images that would directly inform their artwork.
Learn more by exploring our Rauschenberg Research Project!
Image: Robert Rauschenberg, “Cy + Roman Steps (I–V)”, 1952; Collection SFMOMA, purchase through a gift of Phyllis Wattis; © Robert Rauschenberg Foundation / Licensed by VAGA, New York, NY
Posted on Monday, July 22nd 2013
No, these aren’t blank canvases – they’re Robert Rauschenberg’s White Paintings!
Rauschenberg’s aim was to create a painting that looked untouched by human hands, as though it had simply arrived in the world fully formed and absolutely pure. In 1961, composer John Cage famously referred to the White Paintings as airports for lights, shadows, and particles, establishing an enduring understanding of the series as receptive surfaces that respond to the world around them. Building on this reading, Rauschenberg once referred to the works as clocks, saying that if one were sensitive enough to the subtle changes on their surfaces one could tell what time it was and what the weather was like outside. Ultimately, the power of the White Paintings lies in the shifts in attention they require from the viewer, asking us to slow down, watch closely over time, and inspect their mute painted surfaces for subtle shifts in color, light, and texture.
Image: Robert Rauschenberg, White Painting [three panel], 1951; Collection SFMOMA, purchase through a gift of Phyllis Wattis; © Robert Rauschenberg Foundation / Licensed by VAGA, New York, NY
Posted on Thursday, July 18th 2013
Robert Rauschenberg’s Quiet House—Black Mountain (pictured here) was taken by the artist when he was in his early twenties, just beginning his journey as an artist. In our newly-launched online Rauschenberg Research Project, you can learn more about this early photograph and explore related materials, photographs, and museum documents.
Image: Robert Rauschenberg, “Quiet House—Black Mountain”, 1949; printed 1981; Collection SFMOMA, purchase through a gift of Phyllis Wattis; © Robert Rauschenberg Foundation / Licensed by VAGA, New York, NY
Posted on Tuesday, July 16th 2013
Gosh, collaborating on exhibitions with partner museums is sure great, especially since joint shows mean joint membership parties! See the photos from last Thursday’s Beyond Belief Members’ Preview Party at the Contemporary Jewish Museum here.
Posted on Monday, July 1st 2013
Happy birthday to Jasper Johns, born 83 years ago today!
When something is new to us, we treat it as an experience. We feel that our senses are awake and clear. We are alive. – Jasper Johns
Image: Installation view, “Jasper Johns: Seeing with the Mind’s Eye.”
Posted on Wednesday, May 15th 2013
Posted on Monday, May 13th 2013
Posted on Tuesday, April 9th 2013
Reblogged from Hailey pretends to go analog
via The Atlantic:
[Pictures of earth taken from space] are magical. They are mysterious. They are weird. They suggest, if they don’t fully embody, why we go to the trouble of exploring in the first place… And they often resemble art of a more earthly variety.
Play the game: NASA or MOMA?
Posted on Friday, March 29th 2013