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This is the official Tumblr of The San Francisco Museum of Modern Art. We post all sorts of museum-related goodness, plus submissions of artwork from you, our talented and magnificent followers, on Fridays.

In the mood for a meatier read? Check out Open Space, SFMOMA's official blog.

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    Happy 104th birthday to the father of modern photojournalism, Henri Cartier-Bresson!

In photography, the smallest thing can be a great subject.The little, human detail can become a Leitmotiv. - Henri Cartier-Bresson

Pictured: Seville, Spain, 1933, printed ca. 1950

Henri Cartier-Bresson, Charles Henri Ford, Paris, 1935

Henri Cartier-Bresson, Marilyn Monroe during the filming of “The Misfits,” Nevada, 1960

Henri Cartier-Bresson, Scanno, Italy, 1951

    Happy 104th birthday to the father of modern photojournalism, Henri Cartier-Bresson!

    In photography, the smallest thing can be a great subject.The little, human detail can become a Leitmotiv. - Henri Cartier-Bresson

    Pictured: Seville, Spain, 1933, printed ca. 1950

    Henri Cartier-Bresson, Charles Henri Ford, Paris1935

    Henri Cartier-Bresson, Marilyn Monroe during the filming of “The Misfits,” Nevada1960

    Henri Cartier-Bresson, Scanno, Italy1951

    Posted on Wednesday, August 22nd 2012

    Can there be architecture without buildings? What if a wall or a floor went on forever? 
These are some of the questions that Field Conditions, SFMOMA’s newest Architecture + Design exhibition, will explore. Peek inside the galleries to see the installation in progress on our Facebook page.
Pictured: installation of Tauba Auerbach’s 50/50 Floor (2008), which consists of 80,000+ randomly placed black and white porcelain tiles.

    Can there be architecture without buildings? What if a wall or a floor went on forever?

    These are some of the questions that Field Conditions, SFMOMA’s newest Architecture + Design exhibition, will explore. Peek inside the galleries to see the installation in progress on our Facebook page.

    Pictured: installation of Tauba Auerbach’s 50/50 Floor (2008), which consists of 80,000+ randomly placed black and white porcelain tiles.

    Posted on Tuesday, August 21st 2012

    “Cindy Sherman can be anyone, anytime, anywhere.”

    In this video, performance artist Marina Abramović looks at Cindy Sherman’s Untitled #90, 1981

    Posted on Sunday, August 19th 2012

    wiblog:

Graphic designer Sophine in the field (pun!) testing her Field Conditions wall text designs/spontaneously color-blocking.

Our new architecture + design exhibition, Field Conditions, opens in about 2 weeks! Love the exhibition description’s intro: Can there be architecture without buildings? What if a wall or a floor went on forever? What happens when people move through a room?

    wiblog:

    Graphic designer Sophine in the field (pun!) testing her Field Conditions wall text designs/spontaneously color-blocking.

    Our new architecture + design exhibition, Field Conditions, opens in about 2 weeks! Love the exhibition description’s intro: Can there be architecture without buildings? What if a wall or a floor went on forever? What happens when people move through a room?

    Posted on Thursday, August 16th 2012

    Reblogged from PYRAMIDROME

    In a rare treat, we have Tyler Green’s recent interview with renowned photographer Robert Adams featured on our blog today. Check out the post and listen to their exchange about trees here.
Excerpt: 

Adams, 75, is one of America’s greatest living photographers. In the 1960s and 1970s he brought a new sensibility to photographing the most classic subject of American art, the land. By emphasizing man’s impact on Colorado and its suburbs in series such as “The New West” and “What We Bought,” Adams helped pioneer art that addressed our impact on the landscape and the Earth. 

Pictured: Robert Adams, Sitka Spruce, Cape Blanco State Park, Curry County, Oregon, 1993-2003. Gift of Randi and Bob Fisher. © Robert Adams

    In a rare treat, we have Tyler Green’s recent interview with renowned photographer Robert Adams featured on our blog today. Check out the post and listen to their exchange about trees here.

    Excerpt: 

    Adams, 75, is one of America’s greatest living photographers. In the 1960s and 1970s he brought a new sensibility to photographing the most classic subject of American art, the land. By emphasizing man’s impact on Colorado and its suburbs in series such as “The New West” and “What We Bought,” Adams helped pioneer art that addressed our impact on the landscape and the Earth.

    Pictured: Robert Adams, Sitka Spruce, Cape Blanco State Park, Curry County, Oregon, 1993-2003. Gift of Randi and Bob Fisher. © Robert Adams

    Posted on Thursday, August 16th 2012